|商品尺寸||22.1 x 11.43 x 22.86 cm; 269.32 克|
|包装清单||抽繩手提袋, 3.5毫米至1/4英寸（约0.6厘米）适配器, Beyerdynamic DT 770 PRO 工作室 - 80 欧姆 灰色|
|保修说明||2 Year Beyerdynamic Warranty|
|产品特性||防缠绕电源线, 轻质, 隔音, 后扣式|
beyerdynamic 拜亚动力 DT 770 Pro Studio 耳机 - 头戴式,封闭式,录音和监控专业设计(80 欧姆,灰色)
beyerdynamic DT 770 Pro Studio Headphones - Over-Ear, Closed-Back, Professional Design for Recording and Monitoring (80 Ohm, Grey)
- 世界著名的 DT770 Pro 耳机以令人难以置信的价格提供无与伦比的音质再现。无论您的应用、跟踪、混音、关键聆听,甚至游戏,您的DT770 都能提供您依赖的声音。
- 声音独特设计、构造和创新赋予 DT770 卓越声音再现所有频率。我们在德国的生产设施中定制的刻画,为听众提供一致的性能。品质 DT770 在全球佳工作室和声场使用超过 30 年后,它们每次都能表现到高水平。包含组件:3.5毫米至1/4英寸(约0.6厘米)适配器。连接技术:有线
- Closed over-ear headphones for professional mixing at home or in the studio
- Perfect for studio recordings thanks to the their pure and high-resolution sound
- Hard-wearing, durable, and robust workmanship Made in Germany
- The world famous DT770 Pro Headphones deliver unmatched quality in sound reproduction at an incredible price. No matter your application, tracking, mixing, critical listening, even gaming, your DT770's will deliver sound you can rely on - every time.
- Sound - Unique design, construction and innovation give the DT770's superb sound reproduction across all frequencies. Custom built diaphrams in our production facilities in Germany deliver consistent performance to the listener
- Quality - DT770's have proven after over 30 years of use in the best studios and sound stages around the world that they perform to the highest level every time.
- Included components: 3.5mm to 1/4" adapter
- Connectivity technology: Wired
DT 770 Studio耳机。 在描述录音设备时,用"录音室标准"这句话经常被抛出。 比 Beyerdynamic 描述DT-770 时,这个短语从未如此准确。 Beyerdynamic 90 年前发明了动态耳机,DT-770 多年来已经成为工作室标准的封闭式耳机。 DT-770 是一款跟踪耳机。 它具有高隔离性,保持耳机中的播放内容和麦克风。 隔离还可以防止外部声音干扰您的显示器混音。 巨大的低音和清脆的高音在那里激发您的表现。 由于这些是德国专业手工制造的工具,因此每个部件都可以更换,包括头带、电缆和耳垫,确保终身的投资。 DT-770 工作室和经典的 DT-770 之间的唯一区别就是名称。 这款80ohm耳机经过优化,适用于专业录音室和高端录音设备。 "STUDIO "这个词是为了让这款高阻抗耳机在录音室中属于的重点。
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They are way too quiet. The 80ohms are supposed to not need a headphone amp. Due to these headphones I’ve had two issues.
1. They suck for monitoring. I do voice over and I have my monitoring volume cranked up and I still can’t hear when things like traffic noises and neighbors plumbing bleed into my recording, which I could with my old $30 off brand headphones. The entire point of monitoring is....monitoring as you go. Entire portions of my last audiobook needed to be re-recorded because I only heard the intrusions in post-production.
2. They don’t pick up small artifacts in editing. I edited half of my last audiobook with these and then when I listened back on other headphones I heard all kinds of artifacts that were not apparent in these headphones that I had to fix. Mouth noises, background noise cutting out, etc. couldn’t hear any of it.
My second complaint is that the sound is very very thin, causing me to over EQ to compensate for how tinny they sound.
So in summary, they are terrible for monitoring, terrible for editing, and terrible for actually hearing your audio with accuracy sooo what are these headphones good for? Literally useless to me.
I'm reviewing the DT 770 Pro 32 Ohm (now with velour pads!) I'd like to note that even though I love quality audio I wouldn't consider myself well-versed in it. The only other "quality" headphone I've had was the ATH-M50x which I enjoyed for 3 years but over time they were just getting more and more uncomfortable, to the point where I decided to just get new headphones. Since comfort was the first thing on my mind at the time I went with these, and I got the 32 ohm version for its shorter cable and easier drivability. When they were originally released they only came in a version with black pleather but now you can get them with the classic Beyerdynamic grey velour.
I can say in short that these headphones, for their price, are just fantastic, but I'll go through each feature in detail.
BUILD/LOOKS: Build quality is something I don't pay too much attention to when buying headphones but I can say that build is one of the best features of these headphones. They're big and brawny and built like a tank, with class. The headband is metal, with a snap-on leather cover which feels very nice on the head. The cups are thick and made with a hard plastic. These things can take some beatings and probably survive just fine. Definitely built to last. As previously mentioned, the ear pads are made of soft grey velour. The cable is also thick enough to withstand some damage, but is unfortunately non-detachable. This might bother some people, doesn't bother me though (at least I say that now until it breaks lol.) They do look a bit funky and large, definitely old school, but also classy and cool, with a bit of a German industrial edge. "DT 770 PRO [insert ohm here]" is embossed on the side of each cup with a silver finish and look nice.
PORTABILITY: Not the most portable headphones, but they can work as a portable. Only the 32 ohm version though, because the other versions have cables that are too long and need an amp to sound good. Still, they might be a little too big to walk around outside with and they're not the most low-key looking so keep that in mind. They'll work nice on plane and train rides though. They come with simple carrying bag that has a name tag like you'd find on a suitcase! Kinda silly, but hey, it's a nice thought.
ISOLATION: These isolate pretty well. I wear them in the office and at normal to loud volumes I really can't hear much around me, and at home with the tv on its the same thing unless the tv is loud. Not bad but not the best. The pleather pads will give you more isolation.
COMFORT: Now, yes, the acclaimed Beyer velour pads feel GREAT. They really do feel like pillows on your head. However, the comfort is not QUITE as good as I expected. Still pretty comfortable, they have a bit of a clamp, and they are a tad heavy, so I can feel a bit of pressure on the sides of my head that can get a bit uncomfortable. I find after having them on for a while they start to loosen up a bit while on my head. The cups are large which I like so no worries about my ears touching the cups. They might not be as form-fitting as a Sennheiser.
SOUND: The most important part right? I'll write about the bass, mids and treble, to what I hear in the best way I can describe.
Bass: The bass on these is the reason they're so popular. From what I've read, the 80 ohm version is tuned differently and has more bass, and that's the one that gets talked about the most, while the 32 ohm and 250 ohm, while still extended and emphasized, isn't as much and is closer to neutral bass. But it is clean and detailed, far from one note sounding, you can really hear bass lines/notes/plucks the way you should. Listen to Jaco and you can follow his bass lines easily. The sub bass is not shy and can go deep on a bass heavy track. Tracks with not much bass might be a little lacking but that's how it should sound, right? It's pretty accurate, with slight emphasis and great extension.
Mids: The mids tend to get criticized on these but that again is mainly the 80 ohm version, and most likely the added bass that just covers them more. The 32 ohm version is reported to have the most mids of the three, but is probably only slightly more than the 250 ohm. What I like about the mids is that, again, they're clear and detailed. I can hear what singers are saying better than I could with the M50x. They might be a little recessed but I don't know a whole lot about mids, and I think they sound fine. They could you a little bump in the lower mids maybe for some warmth and heft, as the upper mids can sound a bit thin, but it isn't a deal breaker. Probably not the best mids but they are just fine.
Treble: Ok...my one biggest criticism about the sound signature of these. Yes, these headphones are a little on the bright side, but I don't have much of a problem with that. The treble overall is actually just fine, and contains a nice airiness and crispness that sounds pretty pleasing. Listening to Pat Metheny's tone is beautiful, and the crispness of the cymbals in AC/DC's Back In Black sounds engaging and clean. The problem lies with its 10k peak. These things emphasize sibilance a bit too much, I think. If you listen to a recording that's already really sibilant it might sound piercing on these. I never find it painful or anything, I will say that, but it is present and a little annoying. On recordings with no sibilance there's no problem, but a sibilance overall is going to be a bit emphasized though. It's just their sound signature, and a lot of headphones have a peak in that region, even the HD800. The reason for it is because it's a part of the spectrum that is often hard to hear unless it's brought out, so engineers do it to add more details, which is nice, but it comes at the expense of sibilance. I've yet to find a recording/mastering where the treble was too much for me but those recordings did sound a bit harsh. Anything neutral will sound just a comb bright. Not much of a problem really. Treble sensitive people might think so though.
The good thing is the treble is the one area I noticed improvement after a month. Out of the box they were more bright and sibilant than they are now, and I almost returned them, but it all smoothed out nicely. I quite like it, except for that 10k peak...if it weren't for that and if they added a little warmth these would be perfect for me.
Soundstage: I already mentioned that they are very cleared and detailed across the board, and the soundstage is fantastic! One of the best out of any closed can. You can hear all the different details easily, which is good and not so good when you're listening to a bad recording because you can pick out the flaws, but I like that. They're brutally honest. You can hear the instruments and where they're located in the mix, and the field is spread wide, adding a nice sense of depth and spaciousness. Very good soundstage, probably its best sound feature.
These are among the most recommended closed back over-ears in this price range and for good reason. They simply sound fantastic and will blow away anyone coming from Apple Earbuds or Beats. I now prefer them much more than the M50x, which now sound bloated and muddy to me. The DT 770 PRO 32 ohm has a nice balance, again leaning slightly towards bright. They have a V-shaped sound signature, which means the bass and treble are extended, and you can hear it here nicely. Opposite of another one of the most recommended headphones I see in this price range, the K550/551/552/553/554, which are considered near flat/neutral. Get these if you want a fun, engaging and punchy sound. The AKG's might be more accurate and analytical but are also thinner/colder and not as exciting. More relaxed perhaps. Many prefer that kind of sound.
Either way, I highly recommend these headphones. For the price they're hard to beat. They used to sell for $250 and even that price would be fair, I think. And they're used in a lot of studios for recording so that should bode well. As previously mentioned, they are a bit bright and have some sibilance due to the treble peak so if you're sensitive to treble, proceed with caution. If you're not used to treble, be aware that it'll take some time to get used to it. In any case, I don't think you'll be disappointed, and I think even people who don't like this headphone would be hard pressed to call it a bad headphone :)
The comfort level is great, my ears (large) do not feel cramped or get sweaty after multiple hours of use, and the cord length is fine for my proximity to a computer, or even for use with phone (it is longer, but these are my use cases), Sound is fantastic, compared to my previous headphones (not the Sennheiser though) which now sound like very expensive toys The Beyerdynamic DT770 pro feels warm, and im hearing things ive never heard before in both games and music.
in case interested the headphones i have acquired through the years, many of these i love for one reason or the other, best when coupled with an amp or amp/dac and they will sound much better than direct to device/Computer.
Steelseries Arctis 7
Sennheiser HD598 C
Beyerdynamic DT770 pro
I hope this was helpful! -Mr.J