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![“The Overstory: A Novel (English Edition)”,作者:[Richard Powers]](https://images-cn.ssl-images-amazon.cn/images/I/51uHa9IPtrL._SY346_.jpg)
The Overstory: A Novel (English Edition) Kindle电子书
Winner of the Pulitzer Prize in Fiction
Winner of the William Dean Howells Medal
Shortlisted for the Man Booker Prize
Over One Year on the New York Times Bestseller List
A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year
"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
基本信息
- ASIN : B073VX7HT4
- 出版社 : W. W. Norton & Company; 第 Reprint 版 (2018年4月3日)
- 出版日期 : 2018年4月3日
- 语言 : 英语
- 文件大小 : 5847 KB
- 标准语音朗读 : 已启用
- X-Ray : 已启用
- 生词提示功能 : 已启用
- 纸书页数 : 502页
- 亚马逊热销商品排名: 商品里排第68,513名Kindle商店 (查看商品销售排行榜Kindle商店)
- 商品里排第252名Literary Fiction(文艺小说)
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While Powers certainly doesn’t need authentication of his narrative power—he has already won a National Book Award among many literary prizes—I can vouchsafe that he is an excellent storyteller. Similarly, his ability to create characters that may stretch the bounds of believability but still generate passionate sympathetic feelings in the reader is also beyond doubt.
Thus, I found myself reading the Overstory with every free moment I had over two days and loving nearly every page.
The overarching philosophy of the work is that human beings, either willfully or not, do not understand the amount of destruction they are causing to the world’s flora. Plants and trees, one of the oldest of the earth’s kingdoms, are only now beginning to be understood as beings that communicate, learn and in some instances even care for their own offspring. The human caused biocide of the world’s flora is a tragedy not only because these trees may have medicinal or other useful properties for humans but also because each one is a beautiful product of nature fashioned over millions of years. In the author’s view, we seem to be destroying some of the most important parts of creation, so that everyone can, so to speak, have a bigger projection screen TV.
Nor are biofuels, renewable energy or other technological fixes likely to stem this downward spiral. Even virtual reality is only going to be as interesting as the humans who create it and so cannot be a genuine substitute for the complexity of what nature provides for us gratis in the real world.
The author seems to envision only two scenarios: either humankind will wipe itself out and the earth will generate new, unforeseeable solutions to life or artificial intelligence will impose a solution on a humanity which cannot save itself.
To those who have read optimistic works like Steven Pinker’s Enlightenment Now or related perspectives such environmental pessimism is somewhat startling. I can’t say that I am fully persuaded by Powers’ perspective but I can appreciate the accuracy of his science, the literary craftsmanship that went into embodying these ideas and the importance of his overall message.
So, if you are willing to endure a literary punch to the stomach and put on apocalyptic glasses then you will thoroughly enjoy The Overstory. But, though a love of trees thoroughly permeates the book, it is hardly a walk in the park.
