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![“Native Son (English Edition)”,作者:[Richard Wright]](https://images-cn.ssl-images-amazon.cn/images/I/414IzAVTgFL._SY346_.jpg)
Native Son (English Edition) Kindle电子书
Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.
'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself the cause célèbre in an ever-narrowing endgame.
First published in 1940, Native Son shocked readers with its candid depiction of violence and confrontation of racial stereotypes. It went on to make Richard Wright the first bestselling black writer in America.
'The most important and celebrated novel of Negro life to have appeared in America' James Baldwin
WITH A NEW AFTERWORD BY GARY YOUNGE
- ISBN-13978-1784876128
- 出版社Vintage Digital
- 出版日期2016年10月13日
- 语言英语
- 文件大小3077 KB
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Starred Review. Wright's classic 1940 novel about a young African-American man who murders a white woman in 1930s Chicago is a truly remarkable literary accomplishment. Peter Francis James has never been better, bringing the character of Bigger Thomas to life in a profound and moving performance that is as touching as it is truthful. James's powerful baritone demands to be heard, captivating listeners with Wright's realistic portrayal of life in the inner city, capturing the mood of each and every scene. With moderate yet believable variations in tone and dialect for each of the characters, James ignites the collective imagination of his audience. Wright's novel is real, raw and brutally honest and James's reading follows suit. (May) --Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.
From Library Journal
After 58 years in print, Wright's Native Son has acquired classic status. It has not, however, lost its power to shock or provoke controversy. Bigger Thomas is a young black man in 1940s Chicago who accidentally kills the daughter of his wealthy white employer. He tries to frame the young woman's fianc? for the crime and attempts to extort ransom from the victim's family, but his guilt is discovered, and he is forced into hiding. After a terrifying manhunt, he is arrested and brought to trial. Though his fate is certain, he finds that his crimes have given meaning and energy to his previously aimless life, and he goes to his execution unrepentant. Wright avoids the trap of making his hero a martyr, for Bigger is a vicious and violent bully. But out of this tale the author develops a profoundly disturbing image of racism and its results that puts Bigger's experience in horrifying perspective. The unabridged recording includes material edited out of the original edition (Audio Reviews, LJ 10/15/98), including one major scene and some significant dialog. Peter Francis James's narration is thoughtful and polished but lacks intensity. When the text clearly demands an outburst of emotion, James repeatedly holds back, allowing the book's climaxes to drag by unrecognized. This recording will stand well until a better version appears. Recommended for all public libraries; librarians should be aware of extremely violent language and situations.AJohn Owen, Advanced Micro Devices Lib., Santa Clara, CA--Copyright 1999 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.
The New York Times Book Review, Peter Monroe Jack
Certainly, Native Son declares Richard Wright's importance ... as an American author as distinctive as any of those now writing. --This text refers to an out of print or unavailable edition of this title.
Gloria Naylor
"Native Son taught me that it's all right to have passion within your work" --This text refers to an out of print or unavailable edition of this title.
--此文字指其他 kindle_edition 版本。
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基本信息
- ASIN : B01LZGDGNR
- 出版社 : Vintage Digital (2016年10月13日)
- 出版日期 : 2016年10月13日
- 语言 : 英语
- 文件大小 : 3077 KB
- 标准语音朗读 : 已启用
- X-Ray : 未启用
- 生词提示功能 : 已启用
- 纸书页数 : 466页
- 亚马逊热销商品排名: 商品里排第169,930名Kindle商店 (查看Kindle商店商品销售排行榜)
- 商品里排第368名Historical Fiction(历史小说)
- 商品里排第843名Fiction Classics(经典文学著作)
- 商品里排第1,004名Literary Fiction(文艺小说)
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The book contains a fair amount of violence and strong language. Those matters didn't impact my assessment of the book. I can understand why many people would give Native Son a five-star rating and/or consider is a classic. I think it's an important book to read (perhaps even a classic). However, the readability and quality of the writing don't merit a five-star rating.


great insights to the society in the US during that era.

In this tale, Bigger Thomas at first seems headed to jail for only petty theft; then soon, he is in trouble for murder. Ironically, committing murder for Thomas was the most enlivening act of his life, for it was an act in which he took full responsibility of making a decision. With only an eighth-grade education and the wrong color of skin, Thomas did not have much opportunity, and the opportunities presented him were still less than that presented to most white folk.
In the author’s telling, Thomas’ actions seemed reasonable but simultaneously immoral. That quandary and contradiction creates tension and sympathy in the reader. In the final chapter, I read the case for and against the protagonist, and I could not help but agree with both accounts. It thus vividly portrayed what happens to oppressed people in seemingly intractable situations. The main remedy or next step, it seems, was awareness.
The original text, now preserved in my edition of the book, was too vivid for original readers in the 1940s, so Wright revised it so that it would reach a wide audience of a specific book club. The publisher thought that it would turn off pre-World-War-II American housewives who populated the book club. Fortunately, the book sold well and was eventually deemed a classic. Also fortunately, the original text was later re-discovered and disseminated to the reading public.
In an era when America’s systemic racism is regularly discussed in the news, this text provides an interesting and relevant historical nugget. It’s one of the first vivid portrayals of post-slavery African-American life. It reminds us that undoing America’s “original sin” of slavery requires more than just Constitutional amendments. Though this work might prove too seedy for grade-school students, it should not be neglected by the curious reader. Its seediness is not sensationalism but instead meaningful. We are not so far off Wright’s 1940-era Chicago that these type of situations do not remain. Rather, the setting’s similarity to the present day needs to be contemplated still. Few better resources for this task exist in America’s literary past than Native Son.

The reviews here on this site are plenty to give you an idea of its depth and excellence. My review is about the contrast between my teen reading and my adult reading.
I remember believing that the main character, Bigger Thomas, was brilliant. An ordinary young Black man had gone into the White World, committed an unspeakable crime and gotten away with it by acting like an ordinary young Black man (or so I saw it). That is to say: I thought Bigger's humble, deferential, monosyllabic speech towards White people was all an act. I thought he purposely turned on such an act to allow him to get away with things that they figured were not within his capabilities or his skill set. I thought Bigger was absolutely brilliant. A marionette pulling the strings of White America based upon their prejudices and preconceived notions.
Fast-forward 20+ years and I see Bigger through different eyes (partially because I've read the entire book and partially because my comprehension has evolved and developed). At times he was brilliant and at times he was stone cold stupid. At times he would use the shuffling negro act to his advantage and at other times he would let his ego push him too far. It was all part of the enigma that was Bigger Thomas.
Wright created a helluva character. As an African-American male I was reading about Bigger and loathing him with every fiber of my being because he was the poorest representation of Black men. I couldn't help but think, "This Bigger Thomas is confirming the wicked stuff that White people believe about us! He's a walking affirmation of their stereotypes!" But the fact is... Bigger Thomases exist. They are largely products of their environments. We may not like them, we may have the foulest names to describe them, but they still exist. So, whereas I hated Bigger for the decisions he made and the life he lived, I can't say that Richard Wright didn't give me a jolt. He threw Bigger Thomas in our faces and said, "deal with him." I'm sure every reader deals with Bigger in his/her own way. Some may hate him as I did, some may pity him, some may applaud him and much of that may divide down racial lines or socio-economic lines; in any case we as readers had to deal with Bigger Thomas.