Fujifilm 富士 Instax Mini 90 Neo Classic即显胶片相机
- 两次曝光模式通过按两次快门可在一张胶卷上产生2张图像。 快门释放：编程电子快门释放，1.8-1/400 秒快门速度
- 微距模式短距离摄影，可近至 30-60厘米。镜头：移入/移出式镜头，2个零件，2个元件，f = 60mm，F = 12.7
INSTAX Mini 90 Neo Classic结合了卓越的制造质量和时尚，复古的相机设计，可提供全方位的相机功能。INSTAX Mini 90具有多种新的拍摄模式，现在包括双重曝光和微距模式，适合想要以精美图像质量表达其摄影创造力的用户使用。聚焦电机驱动的三档开关，0.3米-∞（宏模式：0.3米-0.6 米，正常模式：0.6 米至 3.0 米，横向模式：3.0米-∞)
Fujifilm Instax Mini 90 Classic Instant Film Camera
The instax mini 90 offers advanced features, such as bulb and double exposures, that are attractions of traditional analog cameras and offer an enhanced capability to capture light creatively. The instax mini 90 is also equipped with new functions and features like macro mode and high performance flash, making this an instant camera for every photographer developed under the concept 'Neo Classic.'
P.S. When they say don't point the camera at the sun, really don't. I caught the sun in one of my photos and it was a beautiful black circle in the sky. Haha.
If I try to use it for photos other than the ones I describe below, it's rubbish. I'm better off getting out a smart phone (ughh), really. The camera's automatic shutter speed system with a single f-stop offers far less exposure flexibility than people have become accustomed to in the digital photo era. When you're shooting film, you need light, period. And, Instax is pretty much a daylight balanced film, so in anything but a fair amount of sunlight, you're liable to get color shifts. Again, digital has gotten pretty good at automatic "white balance," so people aren't used to dealing with this aspect of film. Even with the ability the camera offers to lighten the exposure two clicks, darken it one, and turn off the flash, the most likely outcome for large field use or scenes with wide ranges of shadow to light is blown out highlights and fuzzy images.
For composition, it's best for people when I'm around 4 to 6 feet away, and not trying to capture anything more than the upper half of the model, or even better the upper third. For street and interior scene work, the entire composition of interest needs to be something I could fit into a semi trailer, shooting from the door end, with at least 60% of the interest elements in the 60% of space that's closest to me. Any scenes bigger than that, with models or in the street, gets lost in the small image size and relatively low detail of the film.
For interior lighting, it is best when the subject is already well-lit with window light and the camera is not straight-on at the subject, but off at an angle by at least 45 degrees so the flash fills in from the darker side. Straight-on interior flash shots of people will usually give bluish skin, and interior shots lit mostly with normal incandescent/LED bulbs will be orange.
I have gotten away with exposures of ceiling-lit rooms (think a small diner) by turning off the flash and lightening two clicks, but the shutter slows down to the point where I have to factor in quite a bit of motion blur.
Low light work, inside our out, really stretches the shutter speed, and the colors go in weird directions as a result. Instax film color-shifts more like color slide film than color print film. It's weird, considering how high the ISO is.
For exterior work, it's really happiest after sunrise, before sunset, with no or very limited haze or cloud cover, and a scene that's pretty uniformly lit. Not a lot of shadow detail available. The flash is not up to the job of daylight fill work, so I always just turn it off; otherwise it will often over-light the closest object in the scene. A light-colored subject that's brightly lit with direct sun will almost always over-expose, so I use the 1-click dark option there.
If I just follow those rules, I get photos people will linger over and absorb. I'm glad I bought the camera, and lately I throw it in my briefcase or carry-on wherever I go. I run across a couple good scenes a week, just in my day-to-day life, without even trying. Can't beat it.
As for the modes, the instructions do included do not provide the best info. There is party mode (man and woman icon) which brightens up indoor photos, Landscape mode (Mountain icon) which enhances distant photos, D&L (Dark and light) which adjust brightness, macro mode for close shots, and a few others. But really, just grab the camera and get to shooting! It'll turn out just fine.
UPDATE: So I contacted Fuji Film's support department and they told me to ship the camera in with a description of the issue and a copy of the purchase order (Amazon order screen). They took about 2 weeks, shipped me a new one and gave me a replacement cartridge of film. If you encounter the E issue, and are within warranty (one year of purchase) you may be able to do the same thing. Still frustrating that this error seems to be fairly common though.