购买选项

Kindle电子书价格: ¥42.16

这些促销将适用于该商品:

部分促销可以同时享受;部分促销不可与其他促销同时享受。更多详情请查看促销条款。

发送至您的Kindle设备或Kindle阅读软件

发送至您的Kindle设备或Kindle阅读软件

Kindle 阅读软件徽标图片

下载免费的 Kindle 阅读软件,即可立即在智能手机、平板电脑或电脑上阅读 Kindle 电子书 - 无需 Kindle 设备了解更多信息

使用手机摄像头 - 扫描以下代码并下载 Kindle 阅读软件。

下载 Kindle 阅读软件的二维码

“Entre Nous: A Woman's Guide to Finding Her Inner French Girl (English Edition)”,作者:[Debra Ollivier]

Entre Nous: A Woman's Guide to Finding Her Inner French Girl (English Edition) Kindle电子书

5.0 颗星,最多 5 颗星 1 星级

|
分享
分享 <分享样章>
| 人气
广告
显示所有 格式和版本 隐藏其他格式和版本
亚马逊价格
全新品最低价 非全新品最低价
Kindle电子书
¥42.16
页数 : 共192页 生词提示功能: 已启用 更先进的排版模式: 已启用
快速翻书: 已启用 语种: 英语

商品描述

作者简介

Debra Ollivier has written for Salon, Harpers, Playboy, Le Monde, and a variety of other publications. She’s a California girl who married a Frenchman and lived in France, where her children were born, for a decade. She now lives in Los Angeles.
--此文字指 hardcover 版本。

文摘

Entre Nous
OneLa TêteAs it happened, the first true French girl I ever met was Natalie. She was living in an old renovated farmhouse at the time, just south of Paris, where her husband and a group of aspiring Truffauts were shooting a film on unrequited love and existentialism. (Only in France, no?) Natalie was wearing a close-fitting black skirt over a voluptuouslypregnant belly, a camisole under a sheer blouse, and suede ankle boots. Her long hair was pulled back with a tortoiseshell barrette, though several fugitive strands tumbled onto her shoulders in unruly wisps, and she wore not one bit of makeup.She was perfectly content and undeniably sensual, and when she spoke, which she did sparingly, you could tell she had a superbly intelligent mind. It was just all there, that incredible mix of beauty and brains that seems to imbue French girls with such interesting faces, such refined strength. It would have been easy to suggest that Natalie's allure was a function of something physical (her hair, her clothes, her overall look). Too easy. Like so many French girls Natalie's je ne sais quoi was less about her look and much more about her history: She had been shaped by generations of independent feminine spirits (countless queens, courtesans, and traditional French mothers); by unspoken codes of social grace and courtly love; by a legacy of feminine guile and intellectual brawn--and at that moment, walking down a country lane in a land where the layers of civilization were so thick you could almost cut them with a knife, all I wanted to do was leave the planet and be reborn French.That, alas, was not to be.I did, however, have the opportunity to live long enough in France to ponder, with a certain privileged proximity, those essential qualities that make the French girl so French. And in coming to understand the core principles that shape her perception of the world, I began to wonderhow we, with our own cultural baggage and American juju, could integrate some of these qualities into our own lives and get in touch with our own inner French girls. Clearly we had to look past the fabled French style--"the look," if you will, that it is so easy to mistake for the defining feature of the French girl--and consider the expression of something much deeper, some basic truths about how she sees herself and carries herself in the world.If you peel back the surface details, these essential qualities emanate like spokes into every aspect of the French girl's life: They influence how she carries herself, the clothes she wears, the men she brings into her life (or doesn't). They shape her self-image, what she reads, how and what she eats. They temper her experience of sensuality, her notion of time, and the tenor of her family life.Like the smooth surface of a river stone, many of these qualities have been honed by centuries of culture and civilization. Still, many of them can be cultivated (to each woman, her own private garden), and in the following chapters we'll explore how. For now, just what exactly are these essential qualities, and how do they shape the French girl's perception of herself and the world at large?She Is Self-PossessedIf you strip away the stereotypes and contradictions about her, one of the fundamental qualities associated with the French girl is her sense of self-possession. She is entirely, unequivocally self-contained. She is focused on living herown full life, following her own agenda and cultivating her actual self, rather than reinventing herself or pining away to be someone she's not. Throughout her life, she invests herself in learning and experiencing, not to change who she is, but to become more fundamentally and more fully who she truly is. Taking her cues predominantly from within--from the life of her mind and the exercise of her critical intelligence--she is imbued with a strength of character and a certain sensitivity. Because she is sure of who she is on the inside, she naturally, inevitably, appears sure of herself on the outside.French Girls We LoveJEANNE D'ARC 
 
For listening to the voices and following her heart.
La Pucelle (the maid) was honest and passionate and fearless--she really was the first guerrilla girl. We consider her short life of amazing accomplishment and we want to be better, believe harder, stand taller. See the 1928 classic silent film by Carl Dryer, The Passion of Joan of Arc, or the 1999 talkie, The Messenger: The Story of Joan of Arc by Luc Bresson. Read scholar Regine Pernoud's Joan of Arc: Her Story or Vita Sackville-West's somewhat flawed but beautifully written Saint Joan of Arc. Or better yet, read Joan of Arc, Mark Twain's (yes, that Mark Twain) meticulous and lovingly executed biographical novel. He considered this his most important and finest work. Don't tell Tom and Huck.There is also a lovely, dreamy paradox about theFrench girl, and it's this: in having a strong sense of self, she's able to let go of herself; that in being self-contained, she's able to be vulnerable--all without unraveling at the seams. It's that mélange of sensitivity and sang froid that so delicately lingers around her, like a subtle aura.Every choice she makes underscores this basic relationship to herself: The French girl tends to her personal, private garden with dedication. By taking care of herself in ways both large and small, she is free to take care of others, free to focus on real living rather than rushing through the essentials. She understands that being of service to others is contingent on being of service to oneself. There is nothing accidental here, nothing random in her composure: It is the result of an awareness of--and commitment to--herself.She Seeks SensualityThere is also something more corporeal at play here--an inspired sensuality, an exalted simplicity that intoxicates us Anglo-Saxons when we visit France--and that is the premium the French girl puts on experiencing pleasure: Pleasure in ordinary moments. Pleasure in extraordinary moments. She does not confuse commerce with culture and the narrative in her life does not come from what she buys or sees on TV; rather, it comes from getting sensual satisfaction in the moment, from feeling an almost tactile pleasure and evocative power in the seemingly mundane. Remember Audrey Tautou in Amélie? She dips her handsinto sacks of grain just for the pleasure of how it feels. She relishes the crackle of a teaspoon breaking the crust of a crème brûlée. And she soothes herself skipping stones at Canal St. Martin.Sensuality is so pervasive in her life that it is almost transparent. It is in the general texture of life, the patina of age that comes with time. It is in the baking of bread by hand, the aging of wine. It is in the color of inkwells or damask drapes, in the uproarious flamboyance of architecture. And it is fundamentally in the perfection of imperfections--the complexity and realness that create character, depth, and charm."One is not born a woman; rather one becomes a woman."SIMONE DE BEAUVOIRBeing anchored in these priorities gives the French girl the sophisticated and sexy self-confidence that has put her in the Feminine Hall of Fame and made her an icon world-wide. She so fully and unequivocally inhabits her own space, and with such individualistic flair, that it seems as if even from the earliest age she has always been sure of who she is and where she's going. And perhaps she has. As Edith Wharton saw her, " ... she is, in nearly all respects,as different as possible from the average American woman. The French woman is grown-up."Le FilmLA DOUBLE VIE DE VERONIQUE (The Double Life of Veronique) 
See this for the luminous, rapturous performance of star Irene Jacobs as Veronique, who reminds us that if we're not living with a truly sensual appreciation of everything around us, we're not really living at all.She Practices DiscretionFrom her sense of self-possession flows another essential quality that shapes her world definitively: discretion. The French girl wears her discretion like a filter or a screen, and every decision in her life passes through it: what she wears, how she spends her time, who she lets into her life, what she says (and does not say). Discretion is an ongoing act of self-editing.The French girl understands that even the smallest gesture is a choice, a purposeful selection of one path over another, one outcome over another, one impression over another. There is nothing random or haphazard about her. Everything is about personal choice and behind every decision is a deliberate, thoughtful reflex:
Is this really me? Should I speak my mind or hold back? How should Iapproach this particular person? How much of myself do I reveal? What is the true value of this friendship, this experience, this thing? Does this make me feel good, sexy, alive?Borrow a Page from the French Girl's Book: Self-PossessionFind your center and live there. Resist the pressure to be someone you're not; instead, focus on fully developing who you are. Don't get thrown off course by the prevailing winds of trend. Engage in real, in-the-moment pleasure, not mindless entertainment. Feed your mind. Cultivate impressions and opinions. Know what you think.The French girl's discretion is often most apparent in what she chooses not to say. Like her culture she's private and nonconfessional. (We, on the other hand, are public and confessional. Sit two Americans on a park bench and you'll get at least one life story in five minutes flat.) By not revealing herself easily--her secrets, her inclin... --此文字指 hardcover 版本。

基本信息

  • ASIN ‏ : ‎ B008KP32GG
  • 出版社 ‏ : ‎ St. Martin's Press; 第 First 版 (2004年5月1日)
  • 出版日期 ‏ : ‎ 2004年5月1日
  • 语言 ‏ : ‎ 英语
  • 文件大小 ‏ : ‎ 2062 KB
  • 标准语音朗读 ‏ : ‎ 已启用
  • X-Ray ‏ : ‎ 未启用
  • 生词提示功能 ‏ : ‎ 已启用
  • 纸书页数 ‏ : ‎ 192页
  • 用户评分:
    5.0 颗星,最多 5 颗星 1 星级

无顾客评论

5.0 颗星,最多 5 颗星
5星,共 5 星
1 买家评价
5 星 100% (100%) 100%
4 星 0% (0%) 0%
3 星 0% (0%) 0%
2 星 0% (0%) 0%
1 星 0% (0%) 0%

评论该商品

与其他买家分享您的想法

无顾客评论

有 0个买家评论和1个买家个评级。

此商品在美国亚马逊上最有用的商品评论

美国亚马逊: 4.0 颗星,最多 5 颗星 123 条评论
Chris Hoeck
1.0 颗星,最多 5 颗星 Not Worth It
2021年10月12日 - 已在美国亚马逊上发表
已确认购买
3 个人发现此评论有用
M
3.0 颗星,最多 5 颗星 It is OK.
2020年5月27日 - 已在美国亚马逊上发表
已确认购买
6 个人发现此评论有用
K
5.0 颗星,最多 5 颗星 The Best of the Best!
2017年12月5日 - 已在美国亚马逊上发表
已确认购买
6 个人发现此评论有用
K ol
5.0 颗星,最多 5 颗星 New Respect for French. Ready to frame quotes from this book.
2010年7月28日 - 已在美国亚马逊上发表
已确认购买
13 个人发现此评论有用
Alessandra Vasyuta
4.0 颗星,最多 5 颗星 Witty and Charming
2008年11月17日 - 已在美国亚马逊上发表
已确认购买
5 个人发现此评论有用