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此商品在美国亚马逊上最有用的商品评论
美国亚马逊：
52 条评论
Simon St.Laurent
Marred by combination of type and paper
2018年5月29日 -
已在美国亚马逊上发表已确认购买
Marred by combination of type and paper
2018年5月29日 在美国审核
10/12 Minion on laid paper that is more transparent than it should be was not a great choice. This is the first book in a long while to make me go hunting for reading glasses. The transparency of the paper, the watermark lines, and the general layout combine to create strange variations in contrast that make reading difficult.2018年5月29日 在美国审核
Bringhurst says (on page 195) that "The type cannot be chosen without coming to some decision about the kind of paper it will be printed on, and cannot look right in the end if that decision is later betrayed." His example is about proportions, but transparency and style ask similar questions. Perhaps he was betrayed in this printing?
The book is mostly great, despite a strange lack of history around spaces and punctuation, and occasional hectoring, but an unreadable typography book is a sad thing. (I have version 4.2 (2016).)
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the-librarian
The only book you will ever need on typography!
2019年10月19日 -
已在美国亚马逊上发表已确认购买
Bruce Momjian
Version 4.3
2020年6月26日 -
已在美国亚马逊上发表已确认购买
Joanna Hoskins
Interesting content, visually tiring
2019年4月4日 -
已在美国亚马逊上发表已确认购买
Vijay Rathinasamy
They call it "Elements" for a good reason.
2018年8月23日 -
已在美国亚马逊上发表已确认购买
They call it "Elements" for a good reason.
2018年8月23日 在美国审核
This book is really informative for those getting into the typographic business, demonstrating good ettiquette in the myriad niceties involved (even in the matter of page size and layout). There's also a handy index for extended characters for type designers, especially the Cyrillic italics which can be obtuse for those used to Latin regularity. The only downside is that it's a bit dated in the face of new font technology. Otherwise, definitely a must-have for graphic designers!
2018年8月23日 在美国审核
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