Dark Tower: The Gunslinger Born (英语) 精装 – 2007年11月21日
Peter David ist New York Times-Bestsellerautor von zahlreichen Büchern. Er ist außerdem der Autor diverser Filmromane, ist außerdem für seine Arbeit an Comicbüchern bekannt und hat so ungefähr für jeden anderen berühmten Comic-Superhelden geschrieben. Er lebt mit seiner Frau und seinen Töchtern in New York.
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I'm sure that someday I will.
I've been a Stephen King fan since I was technically too young to read his books (I first read "The Shining" at 5 1/2), but the Dark Tower series has always been one of my favourite things. Yeah, people complain that it was too long between books and that each book was too stylistically different and that they just plain don't like what happens in a book, but here's one 'constant reader' who has nary a complaint. I have loved the whole series and this the final book is absolutely perfect. I read it cover to cover in one sitting and just sat there smiling. If you're anything of a Stephen King fan, I strongly recommend the Dark Tower series. And if you've read all of them but this one, shame on you! Get it right now and start reading! You will not be disappointed!
The last book if the series is arguably its best. I always appreciated that the loose ends were tied adequately. For me that was important at the time and I found it satisfying again. This last story is full of the twists and turns you come to expect as you journey to the tower. It is final and at time pulls hard on the heart.
This is a great read. A great way to finish the epic story of Roland and the quest for the Dark Tower.
I'm a die-hard Stephen King fan. I'm the Constant Reader, the kind that would read the King's laundry list. I read all of his books many times, usually within days of release, except the Dark Tower. I thought it would be a Western-gun-type story and wasn't interested, but I finally got into it a month ago and I marveled at how I could possibly miss it - it truly is his greatest work, with a kind on-the-edge thrilling pace and steaming plot you seldom see in his horror novels. I read all seven books continuously over the past few weeks, couldn't put it down, and getting more and more disappointed. You can see how young King and old King's writing differs so greatly in both plot and language. Young King is tightly disciplined, highly structured, no unnecessary and distracting insertions that's really about the writer's ego than of service to the story. By this final book, I caught myself rolling my eyes frequently at unnecessary author intrusions to the story and plot, which is getting weirder and weirder all the time, like a bad psychedelic trip. Even the way the characters speak to each other doesn't flow with the natural ease and seamless belief in his old books, with frequent author intrusions about what Eddie or Roland or whoever is like, e.g. "...we might as well look at him a bit more closely. We won't take long, for Pimli Prentiss isn't central to our tale of Roland..." - IS THIS NECESSARY? My good man, just tell the tale and leave the narrator out of it. Let your characters speak for themselves. By the end of Song of Susannah I could barely follow the narrative with real immersion (I skipped the entire series of journal logs by King at the end of the last book. What was that about? Totally unnecessary)
That said, it's still one awesome ride. I know how much work it is to write a good book. So despite all this, the merits outweighs the faults, and it's all worth it.