- 出版社: Applause Theatre Book Publishers (2008年9月1日)
- 平装: 512页
- 语种： 英语
- ISBN: 1557837457
- 条形码: 0884088248383, 9781557837455
- 商品尺寸: 19 x 3.1 x 22.9 cm
- 商品重量: 1.1 Kg
- ASIN: 1557837457
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- 亚马逊热销商品排名: 图书商品里排第3,073,157名 (查看图书商品销售排行榜)
Defying Gravity: The Creative Career of Stephen Schwartz, from "Godspell" to "Wicked" (英语) 平装 – 2008年9月1日
"Defying Gravity" takes readers into the creative world of Broadway and film composer Stephen Schwartz, from his experiences writing "Godspell's" score at age 23 through the collaborative journey for the making of the megahit musical "Wicked". For this first authorized career biography, Carol de Giere draws from 80 hours of interviews with Schwartz and over 100 interviews with his colleagues, friends, and family members. Her sympathetic yet frank narrative reveals many never-before-told stories and delves into the challenging issues of collaboration and the decisions that led to phenomenal hits as well as expensive flops.Named after the heroine's song at the exhilarating first-act climax of "Wicked", the book attests to Schwartz's determination to follow his vision despite setbacks and negative criticism. And, in a series of 'Creativity Notes,' the composer shares his insights on tapping the subconscious mind, overcoming creative blocks, writing for character detail, surviving countless rewrites, working with feedback, and other topics. The book also covers the movie songwriting that landed Schwartz three Oscar nominations for "Enchanted" and three Academy Awards for "Pocahontas" and "The Prince of Egypt".
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Although I had seen Godspell in 1972, I was not keenly aware of Mr. Schwartz until my children chose Wicked for their theatre experience when we visited London in 2010. Clearly I was not the first to be blown away by the power of that musical. I had to know more about the creative development of such a work. That lead me to "Defying Gravity." I actually read the last chapter first, then worked to the beginning by chapters. Odd, but true.
Ms. de Giere's exploration of creativity in the person of Mr. Schwartz is one of the clearest views I've found of what it takes to make something magical. She covers the inspiration, the perspiration, the tenacity, setbacks, trouncings and triumph. That has been very helpful for me and my own creative work.
I was particularly touched by the story of how Wicked was reworked after its pre-Broadway run in San Francisco. The authors--Stephen Schwartz and Winnie Holzman--stood their ground to exercise the power to reshape the show before opening in New York in 2003. The theater is much different from cinema. One of the greatest differences is ownership. A dramatist--in this case, Schwartz and Holzman--may LICENSE a show to a producer but as authors they still own it. Wicked's creative recess between San Francisco and New York is perfect proof of that difference. There are so many stakeholders, so much talent demanding to be put to work. So many egos. So much money, so little time. For me, Chapter 28 is the most compelling in "Defying Gravity."
I found "Defying Gravity" to be engaging, uplifting, insightful, and more. I loved it on first reading and have returned several times to appreciate various parts. That's why I'm writing this 5-star review--I love this book. I hope you find this review helpful.
The last section on Wicked goes through the whole creative process of what is going to probably be the most successful musical of all time. A must for budding musical theater writers.
In Carol de Giere's book, "Defying Gravity: The Creative Career of Stephen Schwartz from Godspell to WIcked", she tells the fascinating story of the life of Stephen Schwartz from his college days to "Wicked" and beyond. It's all there from his early successes with "Godspell", "Pippin" and "The Magic Show" to lesser successes with projects in the late 1970's and 1980's then on to winning academy awards for his work on "Pocahontas" and "The Prince of Egypt" and then to the massive success of "Wicked". Anyone who is interested in the works of Mr. Schwartz as well as the interesting stories behind the scenes in the development of Broadway musicals should read this book. It is too bad that more movies haven't been made of Stephen Schwartz's musicals, but you can read about them in Carol's book and you can buy original cast CDs of shows such as "Pippin", "Wicked", "Children of Eden" and "The Baker's Wife" through Amazon. In addition, "The Stephen Schwartz Album" CD was released in 1999. It features Broadway actors singing some of Stephen's songs and it is a tremendous CD. Also, you can find the soundtracks for "Pocahontas", "The Prince of Egypt", "The Hunchback of Notre Dame" and "Enchanted". In the middle of all of his other projects, Stephen also found the time to issue at least two solo CDs, "Uncharted Territory" and "Reluctant Pilgrim". Trust me. You can't go wrong listening to Stephen's music. In my humble opinion, his songs rival those of earlier giants in musical theatre such as Rodgers and Hammerstein and Lerner and Loewe.
The world is a much better place with talented individuals such as Stephen Schwartz and Carol de Giere.