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Defying Gravity: The Creative Career of Stephen Schwartz, from "Godspell" to "Wicked" (英语) 平装 – 2008年9月1日

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基本信息

  • 出版社: Applause Theatre Book Publishers (2008年9月1日)
  • 平装: 512页
  • 语种: 英语
  • ISBN: 1557837457
  • 条形码: 0884088248383, 9781557837455
  • 商品尺寸: 19 x 3.1 x 22.9 cm
  • 商品重量: 1.1 Kg
  • ASIN: 1557837457
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  • 亚马逊热销商品排名: 图书商品里排第3,073,157名 (查看图书商品销售排行榜)
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商品描述

"Defying Gravity" takes readers into the creative world of Broadway and film composer Stephen Schwartz, from his experiences writing "Godspell's" score at age 23 through the collaborative journey for the making of the megahit musical "Wicked". For this first authorized career biography, Carol de Giere draws from 80 hours of interviews with Schwartz and over 100 interviews with his colleagues, friends, and family members. Her sympathetic yet frank narrative reveals many never-before-told stories and delves into the challenging issues of collaboration and the decisions that led to phenomenal hits as well as expensive flops.Named after the heroine's song at the exhilarating first-act climax of "Wicked", the book attests to Schwartz's determination to follow his vision despite setbacks and negative criticism. And, in a series of 'Creativity Notes,' the composer shares his insights on tapping the subconscious mind, overcoming creative blocks, writing for character detail, surviving countless rewrites, working with feedback, and other topics. The book also covers the movie songwriting that landed Schwartz three Oscar nominations for "Enchanted" and three Academy Awards for "Pocahontas" and "The Prince of Egypt".

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此商品在美国亚马逊上最有用的商品评论 (beta) (可能包括"Early Reviewer Rewards Program"的评论)

美国亚马逊: 平均4.9 星 56 条评论
1/1 人认为此评论有用
平均5.0 星 The ultimate look at creativity from the inside. Love it. 2016年9月8日
评论者 Terrence Walsh - 已在美国亚马逊上发表
版本: 平装 已确认购买
This well-worn book has been in my library for six years. I read it cover to cover when first received, and have since gone back to it several times. It may be the ultimate inside story of creativity.

Although I had seen Godspell in 1972, I was not keenly aware of Mr. Schwartz until my children chose Wicked for their theatre experience when we visited London in 2010. Clearly I was not the first to be blown away by the power of that musical. I had to know more about the creative development of such a work. That lead me to "Defying Gravity." I actually read the last chapter first, then worked to the beginning by chapters. Odd, but true.

Ms. de Giere's exploration of creativity in the person of Mr. Schwartz is one of the clearest views I've found of what it takes to make something magical. She covers the inspiration, the perspiration, the tenacity, setbacks, trouncings and triumph. That has been very helpful for me and my own creative work.

I was particularly touched by the story of how Wicked was reworked after its pre-Broadway run in San Francisco. The authors--Stephen Schwartz and Winnie Holzman--stood their ground to exercise the power to reshape the show before opening in New York in 2003. The theater is much different from cinema. One of the greatest differences is ownership. A dramatist--in this case, Schwartz and Holzman--may LICENSE a show to a producer but as authors they still own it. Wicked's creative recess between San Francisco and New York is perfect proof of that difference. There are so many stakeholders, so much talent demanding to be put to work. So many egos. So much money, so little time. For me, Chapter 28 is the most compelling in "Defying Gravity."

I found "Defying Gravity" to be engaging, uplifting, insightful, and more. I loved it on first reading and have returned several times to appreciate various parts. That's why I'm writing this 5-star review--I love this book. I hope you find this review helpful.
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平均5.0 星 A Must Read for Artists 2016年7月29日
评论者 Todd Fifield - 已在美国亚马逊上发表
版本: 平装 已确认购买
I found the book to be both fascinating just as a very good book and very helpful to me as an artist. There are creative notes sections on the chapters that I've found to be very, very useful to me as a writer. Stephen Schwartz shows great insight into the creative process that any artist can use. I suggest buying the paperback version so that these creative notes can be bookmarked easily and referred to.

The last section on Wicked goes through the whole creative process of what is going to probably be the most successful musical of all time. A must for budding musical theater writers.
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平均5.0 星 A far superior book 2016年2月8日
评论者 R. Patrick Baugh - 已在美国亚马逊上发表
版本: 平装 已确认购买
The best book by far on the creative career of Stephen Schwartz, with a heavy focus on "Wicked". Everything you want in a behind the scenes book!
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平均5.0 星 Great insight into the world of theater 2011年7月28日
评论者 Ian Gupton - 已在美国亚马逊上发表
版本: 平装 已确认购买
As a complete novice to the world of performing arts, but one that I'm learning more about at the high school where I teach where we have an outstanding program, I thought that the pains and triumphs of the theater industry were extremely well-detailed through the perspective of Broadway lyricist and composer Stephen Schwartz. It was obvious that the author, Carol de Giere, spent a tremendous amount of time (8 years of research!!!) digging deep for details to create a narrative that not only shows how challenging working in this career field can be, but also what kind of character it takes to survive; Stephen Schwartz is revealed, bumps, bruises and all, to be a dynamic character who strives for the best but is continually faced with the challenges of collaborating with others who feel differently about what "the best" is. From an emotional intelligence standpoint, I feel that this book could be generalized to reflect the skills necessary to succeed in a global eonomy, including the rewards and frustrations of working with a variety of people and their various visions and personalities. The book is written as a painstakingly detailed anecdotal journey of a man who compares himself to the main character of Elphaba from his pinnacle musical "Wicked:" as someone who is often misunderstood, and even punished, for simply trying to do the best he can (similar to your average, ordinary, every day superhero). The book is written with many layers, so there's something for everyone, including quotes, extras, and "Creative Notes" that go behind the scenes and helped an outsider like myself understand the process of musical composition. As an English teacher, there are a number of "Creative Notes" that I thought were extremely relevant and authentic specific to teaching writing that I am planning on integrating into my instruction. All in all, a very entertaining and informational read that can be read for multiple purposes in a way that anyone can thoroughly understand and appreciate.
1/1 人认为此评论有用
平均5.0 星 Defying Gravity - Read It!! 2011年4月1日
评论者 David Peugh - 已在美国亚马逊上发表
版本: 平装 已确认购买
In 1973, I attended a dinner theatre (remember those?) in Dallas, Texas. Before the play began, a young couple came out to warm up the audience by singing a few Broadway tunes. Midway through their performance, they sang a duet of a romantic song that I had never heard before. The song only lasted about 2 1/2 minutes, but for a young guy of 24 who was a sucker for romance, it was 2 1/2 minutes of magic! After the play was over, the actors and the singing couple stood by the stage to greet visitors. I went up and asked them if they could tell me anything about the song. They told me that the name of the song was "Love Song" and it was from a new Broadway musical called "Pippin" with music and lyrics by Stephen Schwartz, the same young man who wrote the music for "Godspell". This is the same Stephen Schwartz who thirty years later would be a multiple Oscar winner and the composer, lyricist and creative force behind the blockbuster musical "Wicked" which has been on Broadway for 7 1/2 years. And, yes, "Love Song" is still one of my most favorite songs.

In Carol de Giere's book, "Defying Gravity: The Creative Career of Stephen Schwartz from Godspell to WIcked", she tells the fascinating story of the life of Stephen Schwartz from his college days to "Wicked" and beyond. It's all there from his early successes with "Godspell", "Pippin" and "The Magic Show" to lesser successes with projects in the late 1970's and 1980's then on to winning academy awards for his work on "Pocahontas" and "The Prince of Egypt" and then to the massive success of "Wicked". Anyone who is interested in the works of Mr. Schwartz as well as the interesting stories behind the scenes in the development of Broadway musicals should read this book. It is too bad that more movies haven't been made of Stephen Schwartz's musicals, but you can read about them in Carol's book and you can buy original cast CDs of shows such as "Pippin", "Wicked", "Children of Eden" and "The Baker's Wife" through Amazon. In addition, "The Stephen Schwartz Album" CD was released in 1999. It features Broadway actors singing some of Stephen's songs and it is a tremendous CD. Also, you can find the soundtracks for "Pocahontas", "The Prince of Egypt", "The Hunchback of Notre Dame" and "Enchanted". In the middle of all of his other projects, Stephen also found the time to issue at least two solo CDs, "Uncharted Territory" and "Reluctant Pilgrim". Trust me. You can't go wrong listening to Stephen's music. In my humble opinion, his songs rival those of earlier giants in musical theatre such as Rodgers and Hammerstein and Lerner and Loewe.

The world is a much better place with talented individuals such as Stephen Schwartz and Carol de Giere.