The Wonderful Wizard Of Oz: A Commemorative Popup (平装)

Robert Sabuda has created a resplendent pop-up version of The Wonderful Wizard of Oz to celebrate the 100th anniversary of the original publication. This glorious edition is told in a shorter version of L. Frank Baum's original text, with artwork in the style of W. W. Denslow. With sparkling touches of colored foil and Emerald City eyeglasses, this classic tale is certain to find an honored place on the family bookshelf.

Amazon.com Review
To commemorate the 100th anniversary of the publication of L. Frank Baum's The Wizard of Oz, master paper engineer Robert Sabuda has created a pop-up version of Dorothy's adventures in Oz that fans will find hard to resist. Modeling his depictions of Dorothy, the Scarecrow, the Tin Woodman, and the rest after W. W. Denslow's original art, Sabuda adds a third dimension that would have rocked Denslow's--and Baum's--world. A rapidly spinning cyclone actually casts a breeze over the startled reader's face. Glorious red poppies wave seductively in a field. And the Emerald City positively glitters with green, especially when young readers try on the special tinted "Spectacles for You" provided in a pocket on the page. The abridged text, provided in minibooklets set onto each page, covers enough basics for the Oz novice, but we recommend a read-aloud of the original, as well, for all the glory and detail of Baum's fantastic tale. Sabuda's homage to the classic is truly spectacular; even purists will gasp in delight at the sight of the humbug wizard floating away in his shiny green, gold, and blue hot-air balloon. This great introduction to the story of Oz doubles as a fun collector's item. (Ages 3 to 7) --Emilie Coulter

From School Library Journal
Grade 2-5-This showstopping pop-up book celebrates the 100th birthday of The Wizard of Oz in a spectacular fashion; from the twister that spins up dizzyingly on the opening spread to the final "And oh, Aunt Em! I'm so glad to be at home again!" clinch, the array of special effects will wow even blas "seen it all" readers. Not only is Sabuda a wizardly paper engineer, able to pull off a bursting ball of flame, a melting witch, and a balloon rocking gently in the breeze, but he also shows a magic touch with pictorial art, creating colored lino-cut figures that strongly recall those of W. W. Denslow. The large central effects open up like stage settings, and are flanked with accordion-folded insets that contain even more pop-ups, along with an abbreviated text closely based on the original. Nor does the razzle-dazzle stop there, as Dorothy's silver shoes, the yellow brick road, and even the Emerald City are coated with shimmering foil, and by donning the included pair of tinted spectacles, readers are treated to a hidden message on one page. Sabuda's homage to an enduring classic captures its timeless sense of wonder, distinctive characters, and the flavor of its melodrama brilliantly.
John Peters, New York Public Library
Copyright 2000 Reed Business Information, Inc.

From Booklist
Gr. 4-up, younger for reading aloud. As Mark Evan Swartz comments in Oz: Before the Rainbow [BKL O 15 00], L. Frank Baum's The Wonderful Wizard of Oz "occupies a unique position in the cultural fabric of this country." Editor Peter Glassman (Oz: The Hundredth Anniversary Celebration) calls the story "quintessentially American." Yet it has a universal appeal--which may account for its translation into many different languages. Although children are often first introduced to the Land of Oz by the classic 1939 movie, the original novel and its many sequels have enchanted both young and old over the years. Published for the centennial, several new books commemorate the beloved story. Readers unacquainted with Oz are sure to find a pleasing version; readers who already know the story will find something to delight them all over again.In Oz: The Hundredth Anniversary Celebration, Peter Glassman presents art and words from children's book authors and illustrators who are big fans of Oz and here pay homage to "the enchanted land that inspired them and helped shape their imaginations." The paintings, in each artist's recognizable style, lovingly convey the essence of Oz, making this truly wonderful. Contributions come from Tomie dePaola, who imagines himself going down the yellow brick road instead of Dorothy; Paul O. Zelinsky, who shared the Oz experience with his children; Uri Shulevitz, who escaped from hunger and war during the 1940s in the pages of The Wonderful Wizard of Oz ; Richard Egielski, whose childhood defense against the ghastly flying monkeys was to lie absolutely still in bed; Natalie Babbitt, Peter Sis, Bruce Degen, Lloyd Alexander, and many others. Proceeds from the sale of the book will be donated to Reading Is Fundamental (RIF).Then there's Robert Sabuda's extraordinary pop-up version. On the first double-page spread, the fearful cyclone whirls up to loom over the tiny farm house in Kansas; in the next spread, the house stands squarely on top of the Wicked Witch of the East. And so it goes, spread after spread. The story itself is condensed and told on foldout booklets attached to the pages. The standout pop-ups are prints created from cut blocks of linoleum, with sparkling touches of colored foil that add pizzazz. Sabuda's art evokes that of Denslow, including the silver, rather than ruby, slippers, and once again, his mastery of his craft enhances and enchants. A good selection for story hours.Also now available is Henry Holt's reissue of its 1982 version of the book, with artwork by the well-known children's book illustrator Michael Hague. It contains several new pictures and a slightly longer profile of Baum. It's certainly not an essential purchase, but it's a gorgeous edition for collections that don't have the earlier volume.Last, but certainly not least, is The Wonderful Wizard of Oz, the "100th Anniversary Edition," part of the HarperCollins Books of Wonder imprint. For those who want the look and feel of the 1900 publication, this fills the bill. It's a very handsome facsimile, printed on high-quality paper and containing all of W. W. Denslow's 24 original colorplates and 130 two-color drawings. Long live Dorothy and her stalwart companions. Sally Estes
Copyright © American Library Association. All rights reserved