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Peter Pan & Peter Pan in Kensington Gardens
 
 

Peter Pan & Peter Pan in Kensington Gardens [平装]

~ 詹姆斯·巴里 (J. M. Barrie) (作者)
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《小飞侠彼得·潘》20世纪最伟大的童话巨著之一。《哈利波特》作者J.K.罗琳最喜爱的英美经典文学著作。教育部《全日制义务教育语文课程标准》推荐书目。永不长大的孩子彼得·潘闯入了温蒂的家,把温蒂和她的两个弟弟带到了永无乡,那里住着仙子、美人鱼、印第安人和一群凶狠的海盗。有一天,温蒂他们想要离开永无乡回家了,海盗头目胡克却抓走了他们……亚马逊为您奉上J. M. Barrie的著名的故事“小飞侠彼得潘”。

Book Description
The highest standards in editing and production have been applied to the Wordsworth Children's Classics, while the low price makes them affordable for everyone. Wordsworth's list covers a range of the best-loved stories for children, from nursery tales, classic fables, and fairy tales to stories that will appeal to older children and adults alike. Many of these volumes have contemporary illustrations, and while they are ideal for shared family reading, their attractive format will also encourage children to read for themselves. Like all Wordsworth Editions, these children's books represent unbeatable value.

Magical Peter Pan comes to the night nursery of the Darling children, teaches them to fly, and then takes them through the sky to Never-Never Land. After many adventures the story reaches its climax as Peter and the children do battle with Captain Hook and his band.

From School Library Journal
Grade 4-8-This series entry presents Barrie's original text, minus a brief section in the first chapter in which Mr. and Mrs. Darling discuss whether they can afford to keep their three offspring. This omission is curious, since many of the author's asides to readers, which could keep students of psychology busy for years, remain. Nevertheless, the story of a boy who doesn't want to grow up and the three children who experience and abandon Neverland has achieved nearly archetypal status, so fresh editions of this 1911 story deserve attention. In this handsome volume, Edens has compiled artwork by more than 16 known illustrators (acknowledged at the conclusion). There are additional unattributed works, as well as art from playbills and posters-all spanning the years from 1904 to 1934. The presentation encompasses the willowy sprites of Arthur Rackham; the Kewpie-doll portraits of Wendy and the lost boys by Roy Best; the black-and-white realistic drawings of original illustrator, F. D. Bedford; and the romanticized watercolors full of fabric and embracing figures by Alice Woodward. Children who are used to suspending their disbelief amid an ever-changing string of virtual images and adults interested in early editions will enjoy the variety. Yet, despite the carefully considered design, there will be children who find the lack of a consistent look for the main characters disconcerting. Give those readers the edition with Scott Gustafson's striking oil paintings (Viking, 1991).
  Wendy Lukehart, Dauphin County Library, Harrisburg, PA

From AudioFile
For children raised on Disney videos and not quite ready to tackle the original novel, this version of Peter Pan is a welcome alternative. It is well dramatized for a full cast and includes some excellent voices. The lines of the all-British cast are woven together with narrated segments, and the production uses music and sound effects effectively. Most notable is Michael Jayston as Captain Hook, who manages to sound as diabolical as his character calls for. The only caveat is that there is little attempt to soften the novel's treatment of Native Americans, some of which now sounds dated and insensitive. D.B.

About Author
J. M. Barrie, the son of a weaver, was born near Dundee, Scotland, in 1860. He was a journalist and novelist and began writing for the stage in 1892. "Peter Pan," first produced in London on December 27, 1904, was an immediate success. The story of Peter Pan first appeared in book form (titled Peter and Wendy, and later Peter Pan and Wendy) in 1911. Barrie died in 1937, bequeathing the copyright of Peter Pan to the Great Ormond Street Hospital in London, a hospital for children.

Book Dimension :
length: (cm)19.8   width:(cm)12.6

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From School Library Journal
Grade 3-5-- A portion of the royalties from this book are being donated to a British charity, but that's not a strong enough reason to buy it. Four movable pictures (the sort that rotate to dissolve from one scene to another), plus a scattering of tiny, hard-to-find flaps, accompany an incoherently abridged text. The slightly antique-looking art is crudely executed; small figures with distorted or indistinct features change relative sizes from spread to spread, and are placed, in most scenes, with no discernible logic. Stick with the original, available in several handsome editions, or if you must have an abridgment, go for the book/cassette package illustrated by Diane Goode, read by Lynn Redgrave, and adapted by Josette Frank (Random, 1987).
- John Peters, New York Public Library
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review
A lovely new edition of the famous story - written after the play (which is now appearing on Broadway). The story is carried beyond the action of the play as Mrs. Darling is disposed of in a sentence, Wendy grows up, marries and has a daughter who takes care of Peter's spring house cleaning now that Wendy has become caught up in the tragic earth-bound disenchantment of adulthood. And Wendy's daughter, too, grows up and has a daughter who visits Peter in Neverland - "and thus it will go on, so long as children are gay and innocent and heartless". (Kirkus Reviews) --This text refers to an out of print or unavailable edition of this title.

Review
“Barrie wrote his fantasy of childhood, added another figure to our enduring literature, and thereby undoubtedly made one of the boldest bids for immortality of any writer. . . . It is a masterpiece.”
–J. B. PRIESTLEY


From the Trade Paperback edition. --This text refers to the Hardcover edition.

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Barrie wrote his fantasy of childhood, added another figure to our enduring literature, and thereby undoubtedly made one of the boldest bids for immortality of any writer. . . . It is a masterpiece. --J. B. Priestly

作者简介

AUTHOR BIO:
JAMES MATTHEW BARRIE (1860-1937) was born in Scotland, the son of a weaver and the ninth of ten children. His mother saw to it that he was educated, despite the family's low income. He studied at the University of Edinburgh and spent two years on the Nottingham Journal before settling in London as a freelance writer in 1885. His short stories, essays, and novels were well received, and he began to gain a fine reputation as a playwright. His most enduring work is Peter Pan, which is based on stories he made up for children in his neighborhood.

READER BIO:
CHRISTOPHER CAZENOVE, one of England's finest actors, has starred on stage and television in the United States and Great Britain. His motion picture credits include A Knight's Tale, Eye of the Needle, Children of the Full Moon, Three Men and a Little Lady, and Jennie: Lady Randolph Churchill. He played Ben Carrington on television's Dynasty.

文摘

Chapter One


Peter Breaks Through


ALL CHILDREN, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, "Oh, why can't you remain like this for ever!" This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.

Of course they lived at 14, and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the righthand corner.

The way Mr. Darling won her was this: the many gentlemen who had been boys when she was a girl discovered simultaneously that they loved her, and they all ran to her house to propose to her except Mr. Darling, who took a cab and nipped in first, and so he got her. He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss. Wendy thought Napoleon could have got it, but I can picture him trying, and then going off in a passion, slamming the door.

Mr. Darling used to boast to Wendy that her mother not only loved him but respected him. He was one of those deep ones who know about stocks and shares. Of course no one really knows, but he quite seemed to know, and he often said stocks were up and shares were down in a way that would have made any woman respect him.

Mrs. Darling was married in white, and at first she kept the books perfectly, almost gleefully, as if it were a game, not so much as a brussels sprout was missing; but by and by whole cauliflowers dropped out, and instead of them there were pictures of babies without faces. She drew them when she should have been totting up. They were Mrs. Darling's guesses.

Wendy came first, then John, then Michael.

For a week or two after Wendy came it was doubtful whether they would be able to keep her, as she was another mouth to feed. Mr. Darling was frightfully proud of her, but he was very honourable, and he sat on the edge of Mrs. Darling's bed, holding her hand and calculating expenses, while she looked at him imploringly. She wanted to risk it, come what might, but that was not his way; his way was with a pencil and a piece of paper, and if she confused him with suggestions he had to begin at the beginning again.

"Now don't interrupt," he would beg of her. "I have one pound seventeen here, and two and six at the office; I can cut off my coffee at the office, say ten shillings, making two nine and six, with your eighteen and three makes three nine seven, with five naught naught in my cheque-book makes eight nine seven-who is that moving?-eight nine seven, dot and carry seven-don't speak, my own-and the pound you lent to that man who came to the door-quiet, child-dot and carry child-there, you've done it!-did I say nine nine seven? yes, I said nine nine seven; the question is, can we try it for a year on nine nine seven?"

"Of course we can, George," she cried. But she was prejudiced in Wendy's favour, and he was really the grander character of the two.

"Remember mumps," he warned her almost threateningly, and off he went again. "Mumps one pound, that is what I have put down, but I daresay it will be more like thirty shillings-don't speak-measles one five, German measles half a guinea, makes two fifteen six-don't waggle your finger-whooping-cough, say fifteen shillings"-and so on it went, and it added up differently each time; but at last Wendy just got through, with mumps reduced to twelve six, and the two kinds of measles treated as one.

There was the same excitement over John, and Michael had even a narrower squeak; but both were kept, and soon you might have seen the three of them going in a row to Miss Fulsom's Kindergarten school, accompanied by their nurse.

Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse. How thorough she was at bath-time; and up at any moment of the night if one of her charges made the slightest cry. Of course, her kennel was in the nursery. She had a genius for knowing when a cough is a thing to have no patience with and when it needs stocking around your throat. She believed to her last day in old-fashioned remedies like rhubarb leaf, and made sounds of contempt over all this new-fangled talk about germs, and so on. It was a lesson in propriety to see her escorting the children to school, walking sedately by their side when they were well behaved, and butting them back into line if they strayed. On John's soccer days she never once forgot his sweater, and she usually carried an umbrella in her mouth in case of rain. There is a room in the basement of Miss Fulsom's school where the nurses wait. They sat on forms, while Nana lay on the floor, but that was the only difference. They affected to ignore her as of an inferior social status to themselves, and she despised their light talk. She resented visits to the nursery from Mrs. Darling's friends, but if they did come she first whipped off Michael's pinafore and put him into the one with blue braiding, and smoothed out Wendy and made a dash at John's hair.

No nursery could possibly have been conducted more correctly, and Mr. Darling knew it, yet he sometimes wondered uneasily whether the neighbours talked.

He had his position in the city to consider.

Nana also troubled him in another way. He had sometimes a feeling that she did not admire him. "I know she admires you tremendously, George," Mrs. Darling would assure him, and then she would sign to the children to be specially nice to father. Lovely dances followed, in which the only other servant, Liza, was sometimes allowed to join. Such a midget she looked in her long skirt and maid's cap, though she had sworn, when engaged, that she would never see ten again. The gaiety of these romps! And gayest of all was Mrs. Darling, who would pirouette so wildly that all you could see of her was the kiss, and then if you had dashed at her you might have got it. There never was a simpler happier family until the coming of Peter Pan.

Mrs. Darling first heard of Peter when she was tidying up her children's minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.

I don't know whether you have ever seen a map of a person's mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child's mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island; for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all; but there is also first day at school, religion, fathers, the round pond, needlework, murders, hangings, verbs that take the dative, chocolate pudding day, getting into braces, say ninety-nine, three-pence for pulling out your tooth yourself, and so on; and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.

Of course the Neverlands vary a good deal. John's, for instance, had a lagoon with flamingoes flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents; but on the whole the Neverlands have a family resemblance, and if they stood in a row you could say of them that they have each other's nose, and so forth. On these magic shores c...
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