Oliver Twist [平装]

查尔斯•狄更斯，十九世纪英国最著名的现实议作家，一生写有十多部长篇小说。他写作《雾都孤儿》时，年仅二十五岁。这部小说曾被改编、拍摄成多种电影、电视片，放映和播映，影响广泛、深远。他一生写有十多部长篇小说，被称为杰出的语言大师。他擅长运用讽刺、幽默和夸张的手法，他笔下的人物风貌和语言风格，都富有浓厚的浪漫主义特色。《雾都孤儿》（即《奥立弗•退斯特》）是狄更斯的一部伟大的社会小说，在世界文学史上占有重要的位置。

《雾都孤儿》是狄更斯的第一部社会批判小说。富人的弃婴奥利佛在孤儿院里挣扎了9年，又被送到棺材店老板那儿当学徒。难以忍受的饥饿、贫困和侮辱，迫使奥利佛逃到伦敦，又被迫无奈当了扒手。他曾被富有的布莱罗先生收留，不幸让小扒手发现又入贼窝。善良的女扒手南希为了营救奥利佛，不顾贼头的监视和威胁，向布莱罗报信，说奥利佛就是他找寻已久的外孙儿。南希被贼窝头目杀害，警察随即围剿了贼窝。奥利佛终于得以与亲人团聚。

亚马逊为您带来英文原版《雾都孤儿》。

Book Description
The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

This novel contains many of the classic Dickensian themes of grinding poverty, the eventual triumph of good in the face of great adversity, the lures of temptation and the terrors of fear, desperation and menace. It presents some of Dickens's most enduring characters, such as Fagin.

From Publishers Weekly
A Twist of Beauty An inviting design may inspire readers of a newly abridged edition of Charles Dickens's classic Oliver Twist to join the hero in asking, please sir, for more. Christian Birmingham spots nearly every page of text with a small, charcoal-gray image, and complements important scenes with full-page color illustrations. Birmingham's hues are predominantly deep, somber and gritty, but not without occasional flashes of royal blues and golds. Text is shaded in the faintest yellow, soft on the eye.

From Booklist
Let's face it, there are dreary passages in Dickens and convoluted sentences that are impenetrable for young readers and that put them off a great story. This retelling works well: it gets rid of a lot of the padding while keeping the narrative tension of the original. Oliver's stark request, "Please, sir, I want some more," will thrill kids today as it always has, and the story of the street boy on the run, who lives with outlaws and then finds a safe home, is an archetypal adventure. The problem here is the illustrations. Dickens' novel is scary. Cruickshank's original pictures were true to the terror as well as the comic absurdity of the story, but Birmingham's large, soft pastel pictures are sunny and sweet and angelic, with no hint of darkness and grime. Yes, Dickens' story does end in sentimental togetherness, but the terror is always there. Fagin's crowd was never this cute.
　　Hazel Rochman

From Library Journal
Oliver Twist was Dickens's second novel and one of his darkest, dealing with burglary, kidnapping, child abuse, prostitution, and murder. Alongside this gallery of horrors are the corrupt and incompetent institutions of 19th-century England set up to address social problems and instead making them worse. The author's moral indignation drives the creation of some of his most memorably grotesque characters: squirming, vile Fagin; brutal Bill Sykes; the brooding, sickly Monks; and Bumble, the pompous and incorrigibly dense beadle. Clearly, a reading of this work must carry the author's passionate narrative voice while being flexible and broad enough to define the wide range of character voices suggested by the text. John Wells's capable but bland reading only suggests the rich possibilities of the material. Restraint and Dickens simply don't go together. The abridgment deftly and seamlessly manages to deliver all major characters and plot lines, but there are many superior audiobook versions of this material, both abridged and unabridged. Not recommended.
　　　-John Owen, Advanced Micro Devices, Sunnyvale, CA

From AudioFile
This abridged version of the trials of Oliver Twist makes the tale quite accessible to young listeners. Dick Cavett does an excellent job of moving from his familiar, level voice in the narrative passages to the true vibrancy of the dialogue. He handles British accents of the more lowly characters quite well, his characterization of Fagin being especially insidious and distinct. Mr. Brownlow and Monks are less developed, and their characterizations rely more on the text. The abridgment is quite a feat, having reduced a tumultuous tale into a tight storyline. However, some of the final sequences require more careful listening to absorb plot developments. E.S.B.

The Merriam-Webster Encyclopedia of Literature
Novel by Charles Dickens, published serially from 1837 to 1839 in Bentley's Miscellany and in a three-volume book in 1838. The novel was the first of the author's works to depict realistically the impoverished London underworld and to illustrate his belief that poverty leads to crime. Written shortly after adoption of the Poor Law of 1834, which halted government payments to the poor unless they entered workhouses, Oliver Twist used the tale of a friendless child, the foundling Oliver Twist, as a vehicle for social criticism. While the novel is Victorian in its emotional appeal, it is decidedly unsentimental in its depiction of poverty and the criminal underworld, especially in its portrayal of the cruel Bill Sikes, who kills his kindly girlfriend Nancy for helping Oliver and who is himself accidentally hung by his own rope.

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

About Author
Charles Dickens was born in Portsea, England in 1812. With The Pickwick Papers, he achieved immediate fame; in a few years, he was the most popular and respected author of his time. Oliver Twist, Nicholas Nickleby, and The Old Curiosity Shop were all huge successes for Dickens. A Christmas Carol, Bleak House, and Hard Times reveal his deepening concern for the injustices of British society, while A Tale of Two Cities and Great Expectations complete his major works.

Book Dimension :
length: (cm)19.8 　 width:(cm)12.6

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雾都孤儿

From Library Journal
Oliver Twist was Dickens's second novel and one of his darkest, dealing with burglary, kidnapping, child abuse, prostitution, and murder. Alongside this gallery of horrors are the corrupt and incompetent institutions of 19th-century England set up to address social problems and instead making them worse. The author's moral indignation drives the creation of some of his most memorably grotesque characters: squirming, vile Fagin; brutal Bill Sykes; the brooding, sickly Monks; and Bumble, the pompous and incorrigibly dense beadle. Clearly, a reading of this work must carry the author's passionate narrative voice while being flexible and broad enough to define the wide range of character voices suggested by the text. John Wells's capable but bland reading only suggests the rich possibilities of the material. Restraint and Dickens simply don't go together. The abridgment deftly and seamlessly manages to deliver all major characters and plot lines, but there are many superior audiobook versions of this material, both abridged and unabridged. Not recommended.
-John Owen, Advanced Micro Devices, Sunnyvale, CA
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From AudioFile
This abridged version of the trials of Oliver Twist makes the tale quite accessible to young listeners. Dick Cavett does an excellent job of moving from his familiar, level voice in the narrative passages to the true vibrancy of the dialogue. He handles British accents of the more lowly characters quite well, his characterization of Fagin being especially insidious and distinct. Mr. Brownlow and Monks are less developed, and their characterizations rely more on the text. The abridgment is quite a feat, having reduced a tumultuous tale into a tight storyline. However, some of the final sequences require more careful listening to absorb plot developments. E.S.B. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.