Labyrinths: Selected Stories and Other Writings [平装]

Instead, being a librarian and one of the world's most widely read people, he became the leading practitioner of a densely layered imaginistic writing style that has been imitated throughout this century, but has no peer (although Umberto Eco sometimes comes close, especially in Name of the Rose).

Borges's stories are redolent with an intelligence, wealth of invention, and a tight, almost mathematically formal style that challenge with mysteries and paradoxes revealed only slowly after several readings. Highly recommended to anyone who wants their imagination and intellect to be aswarm with philosophical plots, compelling conundrums, and a wealth of real and imagined literary references derived from an infinitely imaginary library. --This text refers to an out of print or unavailable edition of this title.

Review
This is a collection, in translation, of the short, the very short stories, and a few of the critical essays of Argentina's most avant-garde writer. He was born of mixed Spanish, English, and remotely Portuguese-Jewish ancestry in Buenos Aires in 1899, inheriting as well the flux and inconsistency of a far-flung border area of Western culture. Borges began his litarary career as a poet, and then turned to these prose-poem stories and fables. They display an intellectual pyrotechnical brilliance, carried to the farthest limit. Borge's nihilism also far outstrips Sartre or Becket, and in comparison with his elegance, invention and universal culture, they are not much more than bourgeois humanists. This Argentinian, with a cabalistic turn of mind, takes all literature, philosophy and metaphysics as his domain and they become, as Andre Maurois says in his preface, "a game of the mind". Borges seeks to astonish and does so successfully. His readership, while perhaps minimal, will find him exciting. (Kirkus Reviews)