Don Quixote: Complete and Unabridged [平装]

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"        Don Quixote is practically unthinkable as a living being," said novelist Milan Kundera. "And yet, in our memory, what character is more alive?"
----Widely regarded as the world's first
modern novel, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. This Modern Library edition presents the acclaimed Samuel Putnam translation of the epic tale, complete with notes, variant readings, and an Introduction by the translator.
----The debt owed to Cervantes by literature is immense. From Milan Kundera: "Cervan-
tes is the founder of the Modern Era. . . . The novelist need answer to no one but
Cervantes." Lionel Trilling observed: "It can be said that all prose fiction is a variation on the theme of Don Quixote." Vladmir Nabo-kov wrote: "Don Quixote is greater today than he was in Cervantes's womb. [He] looms so wonderfully above the skyline of literature, a gaunt giant on a lean nag, that the book lives and will live through [his] sheer vitality. . . . He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon." And V. S. Pritchett observed: "Don Quixote begins as a province, turns into Spain, and ends as a universe. . . . The true spell of Cervantes is that he is a natural magician in pure story-telling."


The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-
dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices. --This text refers to the Hardcover edition.

From Publishers Weekly
This imposing volume presents the first part of the quest by the beloved Don, whose name stands for chivalry and courage--"The Impossible Dream." The book's heavy stock, binding and design all impart an air of style and prestige, reinforced by Bogin's suave translation, which makes good use of abundant dialogue. (The phraseology and vocabulary, however--"erstwhile," "apothecary," "coherence"--will be beyond younger readers.) Though the paintings by Spanish artist Boix are masterfully executed, some lack the sweep expected from this panoramic work; much of the imagery is somewhat pallid, both in tone and emotional impact. And, though the architectural details, period apparel and scenery are all richly evocative, the characters themselves are often small in scale and dwarfed by their stunning surroundings. Nevertheless, the presence of an elegantly produced, picture book version of this classic merits attention and applause. All ages.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal
Grade 3-7-This retelling of episodes from the Cervantes classic starts a little slowly, but the pace picks up considerably once the proverb-spouting Sancho Panza makes his appearance. Harrison selects only a few key adventures; the afterword describes the sections that were left out. His language captures the style of the original, and the transitions are generally smooth. The afterword recommends a translation of the whole book and provides biographical information about the author. Ambrus's artwork is well suited to the story; he captures the personalities of both knight and squire without reducing them to caricatures. Glowing watercolors alternate with either black-and-white sketches or silhouettes. The oversized format with its clear type and good use of white space is appropriate to the folk-tale style, although it may not appeal to older readers. While there is debate about the appropriateness of retelling (or abridging) classics, there is also an audience for them, and Harrison's offering treats the original with respect.?Donna L. Scanlon, Lancaster County Library, PA
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review
"[Harrison's] language captures the style of the original.... Ambrus's artwork is well suited to the story; he captures the personalities of both knight and squire without reducing them to caricatures."--School Library Journal
"Children will find this a fast-paced, readable introduction to Cervantes' novel."--Booklist
--This text refers to an out of print or unavailable edition of this title.

Review

"[Harrison's] language captures the style of the original.... Ambrus's artwork is well suited to the story; he captures the personalities of both knight and squire without reducing them to caricatures."--School Library Journal
"Children will find this a fast-paced, readable introduction to Cervantes' novel."--Booklist
--This text refers to an out of print or unavailable edition of this title.